Jamie Williams: Tibet

Photo © Jamie Williams-All Rights Reserved
Here's some really terrific imagery of Tibet by photographer Jamie Williams, who's based in Sydney, Australia.

His biography is unfortunately sparse, and apart from dividing his time between photographing editorial and commercial imagery, and pursuing his own personal projects, we know that he won quite a impressive awards to include Honorable Mentions in Prix De La Photographie (Paris), and that he worked with many publications to include Australian Airlines Magazine, In Style, World Expeditions, etc.

There are quite a few of photographs in Jamie's Tibet gallery that I ought to mention; the juxtaposition of the prayer scrolls and the Mani stones images, the Tibetan woman with the prayer wheel in silhouette (above), the woman cradling a baby near a pile of Mani stones, and the woman walking underneath prayer flags in a village...just to mention a few. The gallery consists of 47 images, so you'll need a few minutes to enjoy them. And the photographs are big...really big! The size that photo editors want and like.

His travel galleries also include imagery from Nepal, India, Kashgar, Kyrgyzstan, his native Australia and Papua New Guinea.

The Hijras (Eunuchs) of Becharaji

Photo © Tewfic El-Sawy-All Rights Reserved
Eunuchs, transsexuals, or transgender men are known as hijras in South Asia. They adopt feminine gender identity, women's clothing and other feminine gender roles. Etymologically, the word hijra is an Urdu word, seemingly derived from the Arabic root hijr or emigration in the sense of "leaving one's family, tribe or country," and it has been borrowed into Hindi.

Photo © Tewfic El-Sawy-All Rights Reserved
Many hijra live in all-male communities, and have sustained themselves over generations by "adopting" young boys who are rejected by, or flee their family. Many work as male sex workers for survival. According to estimates by health organizations, only 10% of hijras are actually castrated.

Photo © Tewfic El-Sawy-All Rights Reserved
During my Tribes of South Rajasthan & Kutch Photo~Expedition™ , we stayed at the immaculate and well-run Rann Riders resort in Dasada, and its knowledgeable owner Muzahid Malik, suggested we visited Becharaji where hijras frequented its temple.

Photo © Tewfic El-Sawy-All Rights Reserved
As I walked in to the temple ahead of my group, I chanced upon hijras who, upon seeing me, started to clap their hands and laughing. Not really catching on that this was their trademark way of announcing their presence and sexual persuasion, I imitated them and clapped in exactly the same way...one hand on the top of the other, rather than sideways. This drove them to raucous laughter, and eventually to self-consciously pose for our cameras.

There are many stories told about the hijras, and how they extort money by embarrassing shopkeepers and guests at wedding parties, but those we met at the Becharaji temple were friendly and obviously delighted that we took such nonjudgmental interest in them. Naturally, there was some posturing for the cameras, and much competition for the most suggestive poses.

Muzahid invited me to spend a couple of weeks in Dasada. Perhaps I will...After all, there's a hijra festival at Becharaji in late summer. Another potential destination for a photo~expedition?

For a book on hijras, read Zia Jaffrey's The Invisibles.

Matjaž Krivic: Earth Temples

Photo © Matjaž Krivic-All Rights Reserved
Matjaž Krivic describes his whereabouts as traveling with his camera somewhere between the Sahara and the Himalayas...and having seen his portfolio of photographs, I believe him. He just returned from an overland road trip from Slovenia to Nepal via Senegal (Dakar to Katmandu), which took him 13 months of living and photographing out of a 4x4 Nissan Patrol.

For 20 years, he globe-trotted the world capturing the personality and grandeur of indigenous people and places, and found the time to be awarded many prizes, and recognized in various venues and exhibitions. He traveled in Yemen, Mali, Tibet, North and West Africa, Iran, Mongolia, China, Nepal and India.

I particularly liked his lovely Earth Temples portfolio, which consists of over 60 photographs of various temples, places of worship and still (or silent) places in India, Tibet, Morocco, Bolivia, Nepal and Kenya...to name but a few. These are so beautiful that I wish they were twice the size to appreciate them even better.

The Big Picture's Holy Week

Photo © REUTERS/Alessandro Bianchi-All Rights Reserved
The Boston Globe's The Big Picture features photographs of the Holy Week, which starts on Good Friday, when Christians observe Jesus' crucifixion. Holy Week commemorates the last week of Jesus' life.

Many of the photographs show what Christian penitents do to commemorate the crucifixion, either by reenacting it or be causing bodily harm to themselves. It reminds me of the Muslim Shi'as self flagellation during the day of Ashura, in mourning of Hussein ibn Ali's death, which is equally gruesome.

In the above photograph, the caption reads:

"The blood-covered leg of a penitent, resting on a bloodied step during a procession through the streets in the town of Verbicaro, southern Italy on April 2, 2010. The penitents, called "battenti", or beaters, hit their legs with a "cardillo" (a cork with attached pieces of glass) and walk, bleeding, in groups of three through the streets, stopping in front of all the churches and chapels in the town. The tradition began in the thirteenth century and serves as penitence for Christ's death."

Penitence for Christ's death? The mind boggles.

Julie Jacobson: Afghans' Opium Addiction

Photo © Julie Jacobson/AP-All Rights Reserved
It is estimated that Afghanistan supplies nearly all the world's opium, the raw ingredient used to make heroin, and while most of the deadly crop is exported, enough remains in it to feed a cycle of addiction among its population. It's also estimated there are at least 200,000 opium and heroin addicts in Afghanistan.

It's a fact of life that many rural areas in Afghanistan have no access to basic medicine such as aspirin, so whenever a villager needs a painkiller for a minor ailment, they are given opium instead.

Julie Jacobson is an Associated Press Writer and Photojournalist, who produced a video on opium addiction amongst a family in Afghanistan. In many of Afghanistan's remote mountain villages, opium addiction has infected toddlers to old men.

Julie has also written an interesting article published by Nieman Reports titled Crossing The Line: From Still To Video, which includes these four main guidelines:

"Some moments should be captured in photographs only. With those, be true to your photography and don’t worry about video."

"Remain as true to your photography while capturing video imagery. Make good “pictures” in your video".

"Some moments and events clearly call for video. But it isn’t possible to be everywhere and to get everything, so don’t try".

"When shooting stills and video, anticipate moments carefully. If they’re not there or time doesn’t permit, then make sure to be complete in shooting only one or both will suffer."

A worthwhile read to photographers and photojournalists facing this transition.

Michael Nye: About Hunger

Photo © Michael Nye-All Rights Reserved
I've briefly touched upon the issue of hunger in a POV a few days ago, and coincidentally found Michael Nye's compassionate work at the same time.

Michael Nye’s exhibition About Hunger & Resilience, consists of fifty portraits and accompanying audio stories of individuals who experienced hunger in the United States.

Michael Nye has been listening, photographing and recording hunger for the past 4.5 years. He lives in downtown San Antonio, and practiced law for 10 years before pursuing photography full time. He's the recipient of a Mid-America National Endowment for the Arts grant in photography, and a Kronkosky Foundation grant. He also participated in two Arts America tours in the Middle East and Asia, and has exhibited and lectured widely in museums and universities, including Morocco, India and Mexico.

"About Hunger & Resilience" opened at the Witte Museum,San Antonio, Texas in January of 2010 and is currently traveling around the United States.

Aaron Vincent Elkaim: Jewish Morocco

Photo © Aaron Vincent Elkaim-All Rights Reserved
On the occasion of Passover, I thought of posting an interesting visual-historical-religious photo essay relating to the long Judeo-Muslim history of Morocco by Aaron Vincent Elkaim.

Jewish history in Morocco dates back to over 2000 years, and Jews have lived in the country as a protected minority. Prior to the arrival of the French in 1912, the currency and flag of Morocco carried the star of David, a recognition that it represented a prophet revered by Jew and Muslim (as Dawood) alike. During the Second World War, the king of Morocco famously declared to the Nazis (who wanted a list of Jews) that there were no Jews in Morocco, only Moroccan citizens.

Following the establishment of Israel, most of the Moroccan Jews have left their country of birth for the USA, France, Canada and Israel itself.

Aaron is an emerging documentary photography who initially studied Film and Cultural Anthropology at the University of Manitoba. His work was awarded on numerous occasions and published in newspapers and magazines across Canada.

His photographs in the mellahs of Marrakesh and Essaouira remind me of my own at the synagogues in these two cities last summer, during the Essaouira Gnawa festival.