VII Magazine

Photo © Ashley Gilbertson-All Rights Reserved
The announcement that the VII Photo Agency launched VII The Magazine has already been reported and blogged about for a few days already. The magazine is a syndicated online publication with photo stories and interviews with VII photographers.

The beta version of VII The Magazine is presented in the Herald Scotland newspaper, and in Lens Culture.

The first issue of the magazine features multimedia slideshows of projects by several VII photographers, as well as interviews with Jessica Dimmock and Ashley Gilbertson about their projects featured on the site.

I was particularly interested in Ashley Gilbertson's interview, and struck by one of his statements:

"If you show me one more picture of a soldier kicking in a door, I'm going to blow my head off."

I sense Ashley speaks for, not only war photographers, but for many of the sentient public who's been subjected to repetitive and unimaginative visual (and intellectual) presentations of the wars in Iraq and Afghanistan, and who's had (if they're anything like me) enough of the same stereotypical coverage which passes for cutting edge reporting in our media. I call it the stagnation of war photography...the same scenes over and over, perhaps from different angles...and with no back story. In fact, if I didn't read the captions beneath these images, I wouldn't be able to tell if it was in Iraq or in Afghanistan...or whether they'd been made yesterday or a year ago. Stagnation.

Ashley's powerful and poignant photo essay The Shrine Down The Hall, which shows some of the empty bedrooms of the over 5000 U.S. military personnel killed in the wars of Iraq and Afghanistan, rammed home the horrors of war much more effectively than seeing (and hearing) yet another photo essay by a gung-ho war photographer following US soldiers in an Afghani village, rounding up "Taliban" members (or whatever the caption writer decides they are), covering their heads with potato sacks while pointing guns at terrified women.

We need to see more work like Ashley Gilbertson's and much less of the kicking of Afghan or Iraqi doors....please.

MoMA: Henri Cartier-Bresson

Photo © Henri Cartier-Bresson-All Rights Reserved
The Museum of Modern Art in New York City is showing Henri Cartier-Bresson: The Modern Century" this coming Sunday April 11, 2010, and the exhibition's website is truly a delight.

Henri Cartier-Bresson began traveling in 1930, at the age of twenty-two. For nearly half a century he was on the road most of the time, and the geographical range of his work is notoriously wide. Photographs of Asia (many of which are of China), North America, Japan, Africa, Europe, USSR, Middle East are shown arranged in themes, or chronology.

The New York Times has a review of the exhibition by Holland Cotter who, in the article titled A Photographer Whose Beat Was the World, writes this rather flowery sentence:

"The third and crucial constant in his career was, of course, a camera: in Cartier-Bresson’s case, a hand-held Leica, as neat and sleek as a pistol. Whether he was traveling as a journalistic eye for hire or sauntering through Paris of an afternoon, the camera went too."

I find it impossible to decide which is my favorite Henri Cartier-Bresson's photograph, but the one above of these Indian women in Srinagar (Kashmir) photographed in 1948 has always impressed me. Is it because none of their faces are visible, or is it because one of them appears as if she's holding a couple of clouds in her outstretched hands? It's described as Muslim women on the slopes of Hari Parbat hill as they pray while the sun rises behind the Himalayas, and was taken during a period of terrible violence in Srinagar. Magnificent.

Update: The New Yorker Magazine has an article/review on the retrospective at the MoMA.

From the article/review, I learned that the French title of HCB's best-known book, “The Decisive Moment, was “Images à la Sauvette”, which means “images on the fly". The French title implies something done somewhat furtively, and has much less gravitas than the English title.

The Big Picture's Holy Week

Photo © REUTERS/Alessandro Bianchi-All Rights Reserved
The Boston Globe's The Big Picture features photographs of the Holy Week, which starts on Good Friday, when Christians observe Jesus' crucifixion. Holy Week commemorates the last week of Jesus' life.

Many of the photographs show what Christian penitents do to commemorate the crucifixion, either by reenacting it or be causing bodily harm to themselves. It reminds me of the Muslim Shi'as self flagellation during the day of Ashura, in mourning of Hussein ibn Ali's death, which is equally gruesome.

In the above photograph, the caption reads:

"The blood-covered leg of a penitent, resting on a bloodied step during a procession through the streets in the town of Verbicaro, southern Italy on April 2, 2010. The penitents, called "battenti", or beaters, hit their legs with a "cardillo" (a cork with attached pieces of glass) and walk, bleeding, in groups of three through the streets, stopping in front of all the churches and chapels in the town. The tradition began in the thirteenth century and serves as penitence for Christ's death."

Penitence for Christ's death? The mind boggles.

The 500th Google Follower

I saw that my list of Google Followers have now grown to 500! This list is distinct from my Twitter and Facebook followers and friends, or from my subscribers to my newsletters.

To commemorate this milestone, here's an introduction to the work of Karina Joseph, who is my 500th Google Follower.

Karina Joseph is a freelance photographer working in Mumbai, and from what I've seen of her excellent photographs on Flickr, specializes in commercial photography. She also does street photography, as can be seen in this following photograph.

Photo © Karina Joseph-All Rights Reserved
I will keep an eye on my Google Followers, and whenever possible I will post the work of every 100th follower.

Dog Meets World: A Worthwhile Project

Giving a personal photograph to a stranger is one of the best, easiest and kindest things people can do for one another. It is an incredible vehicle for person-to-person diplomacy.

Dog Meets World Founder, Carolyn Lane

In late 2008, Dog Meets World was founded to fulfill a dream to photograph the children of the world. To seek children in their own settings, print their image to keep for a lifetime. The dream of Dog Meets World is to empower travelers to make real connections to people in other cultures, in essence to become photo-diplomats. A picture makes anybody a "somebody".

DMW is a 501(c)(3) nonprofit organization. So get involved and join the movement!

Peter Turnley: The Williams Club (NYC)

On March 11th at The Williams Club in New York City, Peter Turnley will step out from behind the camera for a "show and tell" on the images that have made him one of the preeminent photojournalists of our times.

The event titled Man With A Camera: An Illustrated Conversation With Peter Turnley is sponsored by the Williams Club and the Jeffrey O. Jones '66 Journalism Fellowship, which was established last year by a group of friends, classmates, and family of Jeff Jones, to honor his memory and celebrate the profession he practiced with distinction over the course of his lifetime.

Peter Turnley has photographed world conflicts in the Balkans (Bosnia), Somalia, Rwanda, South Africa, Chechnya, Haiti, Indonesia, Afghanistan, Kosovo, Iraq (2003), the Gulf War (1991), and the Israeli-Palestinian conflict.

Mark Coughlan: Ardh Kumbh Mela

Photo © Mark Coughlan -All Rights Reserved
A number of photographers (and others are still on their way) have attended the Ardh Kumbh Mela in Haridwar, despite the restrictions on those who didn't have a Journalist visa and press credentials.

I am told that the restrictions were only applied on the main bathing ghat, and that there were ample opportunities to photograph the spectacular characters who attend such religious gatherings, and who I described (during the Maha Kumbh Mela in 2001) as "ascetics, mendicants, mystics, beggars and charlatans".

Mark Coughlan has just posted his work from the Haridwar Kumbh Mela on his website Image The Earth, which documents the fervor of the devout Hindus who traveled for miles and days to attend it, as well as the colorful characters that make the Kumbh Melas what they are.

Mark is a photographer, backpacker, and world traveler based in London. He has traveled to Myanmar, Mongolia, Bangladesh, India, Nepal and Bolivia among others. He tells us that he likes his photographs to be of vivid colors...he succeeded with his perfect portrait of the sadhu.

Foundry PJ Workshop: Istanbul

If you haven't checked the updated website for the Foundry Photojournalism Workshop recently, do yourself a favor, and do so. Not only has it been totally revamped (I believe it's the work of the talented Chilean photojournalist and webmaster Gabriel Morty Ortega Berger), but it also showcases work by FPW's astoundingly creative alum such as Monte Swann, Dhiraj Singh (who attended my multimedia class in Manali), Tristan Wheelock and Mansi Midha.

Wait...there's more! Not only are many of the FPW instructors(such as Andrea Bruce, Ron Haviv, Guy Calaf, Adriana Zehbrauskas to name only four) returning for an encore, but their ranks will be augmented in Istanbul by absolutely brilliant photojournalists such as Tyler Hicks, David Bathgate, Lynsey Addario and Adam Ferguson!

The registration details are up, so if you're up to it...go for it. I don't really know what you're waiting for. Do I need to mention that FPW is held in Istanbul...an incomparable city?

The Travel Photographer Blog: 3 Years

The Travel Photographer blog turned 3 years old on the 24th of January, and I missed celebrating it while leading the Rajasthan & Gujarat Photo Expedition...but no matter.

About 1700 posts, thousands and thousands of unique visitors and subscribers, followers and an enormous amount of support from photographers, full timers and part timers, and many other creatives. And to think that I started this blog to write about myself and my photography...I ran out of things to say in less than a week, and decided there were many more interesting photographers, emerging and established, than I could ever be...and the rest is history as they say.

This blog helped my second career in ways that I could never imagine. I'm hugely chuffed when I'm introduced to people, and they exclaim "You're The Travel Photographer!!".

And to those who worry that my posts may get less acerbic with age, rest assured that my opinionated POVs will continue unabated, and its vinegary content may even increase in 2010.

Providing a free platform for promising emerging travel and documentary photographers is always what this blog will try to do, and I look forward to another year of exciting fresh talent, photography news and controversial points of view.

And it will remain ad-free.

Dialects at the ICP

Mansi Midha's photography work, along with that of 26 other talented photographers and photojournalists will be seen at the International Center of Photography in an exhibit running from January 15 to March 28, 2010.

The venue is held at the ICP's Education Gallery on 1114 Avenue of the Americas at 43rd Street with an opening reception on January 15 from 6:00–8:00 pm

Dialects presents recent work by the 27 photographers from What We Saw, the collective formed upon their graduation from the Documentary Photography and Photojournalism Program at ICP in 2008. The group is made of members from 15 countries including the United States, Mexico, South Korea, India, South Africa, Turkey, Australia, Germany, and Brazil.

I hoped to go see what promises to be an interesting event, but I've too much to do before traveling next day.

Mansi was the hidden (and frequently visible) energy behind all the on-the-ground arrangements for the Foundry Photojournalism Workshop in Manali, and I believe she's also involved in the one in Istanbul this coming summer.

Noor & Nikon Workshop

Here's news I find uplifting, and which proves that altruism is not dead in the photo industry..

NOOR photo agency and Nikon have agreed to support documentary photographers from emerging markets all of over the world through the organization of annual motivational masterclasses.

The next program will take place in Saint-Petersburg, Russia, at the Foundation of informational and cultural projects FotoDepartament on 22-26 March 2010.

The masterclass will be accessible to young and aspiring documentary photographers from the Baltic countries, the former USSR countries (CIS), Belorussia, Russia and the Ukraine.

During the five days of the workshop, the 15 participants, together with the three member photographers of the NOOR agency, will share their experience, work on portfolios, improve their editing skills and learn how to pick up a story.

The workshop is free of charge; travel and accommodation costs will be reimbursed.

Book Event: 100 New York Photographers

The 100 New York Photographer book, in which my biography and four of my travel photographs of Ethiopia, Bhutan, and Burma are prominently featured, will be the subject of a book signing event at Rizzoli Bookstore at 57th Street in New York City on January 22, 2010.

The book's author Cynthia Maris Dantzic and special guests (presumably some of the photographers in the book) will be at the event. Unfortunately, I will be in India at that time, so I had to convey my regrets to the publishers.

The book groups the work of 100 New York celebrated photographers to include Vincent Laforet, Jay Maisel, Mary Ellen Mark, Joel Meyerowitz, Annie Leibowitz, Jenny Jozwiak and Pete Turner.

If you are in New York City and have the time, I'm certain that it'll be a worthwhile event. Click the above picture for a larger version.

Tom Bourdon: Varanasi Holy Man

Photo © Tom Bourdon -All Rights Reserved
I thought that Tom Bourdon's photograph of a sadhu offering water to the sun on the banks of the Ganges in Varanasi would be a perfect choice to end my blog posts for 2009. It projects the optimism we ought to feel today while we are at the cusp of welcoming a brand new year.

Tom Bourdon is UK born, and is an award winning international travel photographer who specializes in photographing religious and cultural festivals/celebrations across the globe. To my knowledge, he's one of the very few who specialize in documenting festivals, and if I'm not mistaken he might be traveling to the Kumbh Mela this year in Haridwar. If he does, you can bet he'll have splendid images to show.

Happy New Year to all my readers...and looking forward to see you again next year!

New York Times' 2009's Travel Photos

Photo © Justin Mott/NY Times -All Rights Reserved
Continuing the wrap up of the "Best Of" for the year, here is The New York Times' best travel photographs as picked by their own photo editors, and which were published in the newspaper's Travel section during 2009.

The photographers whose work is shown in the feature are Chris Bickford, Peter DaSilva, Lalo de Almeida, Josh Haner and Todd Heisler, Andy Isaacson, Michael Kamber, João Pedro Marnoto, Kevin Moloney, Justin Mott, Michael Nagle, Jeff Pflueger, Susana Raab, Scott B. Rosen, Brian Sokol, Vanessa Vick and Dave Yoder.

I was surprised at the statement made in the feature that 19 photographs are the maximum number for The New York Times slide-show player, and wonder why that is so.

American Photo: Images of the Year 2009

American Photography Magazine is featuring Images of the Year 2009 . Rather predictably (but deservedly) Ed Kashi is the Photojournalism Category Winner with his essay documenting the Trans Amadi Slaughter, an abattoir in Nigeria that had sprung up after petroleum-related pollution destroyed local fisheries.

Photo © April Maciborka -All Rights Reserved
Other winners in the Photojournalism category are Larry Louie, Ed Ou, Andrew Biraj, April Maciborka, and Achille Piotrowicz. I thought that April Maciborka's work (above) documenting shrimp farmers in India was the best. Her toned photographs are really impressive.

I featured April Macibroka on this blog earlier this year, in which I thought that her work exemplified the essence of what a travel photographer is, or should be. The post can be found here, so I'm glad she earned the recognition that she did.

NYT: 2009 The Year in Pictures

Photo © Tyler Hicks/New York Times -All Rights Reserved
The newspaper version of the New York Times's Week In Review yesterday was a real fillip for photojournalism. The totality of the first page was of Tyler Hicks' superb blurry photograph of a US soldier in Afghanistan's Korengal Valley, and much of the section was filled with the remarkable photographs by Emilio Morenatti, Moises Saman, Jehad Nga and Rita Castelnuovo.

On the section's second page, I paused at the editor's decision to publish two photographs by Tyler Hicks of the utter devastation of the Gaza Strip and the terrific loss of innocent lives, and the nearby positioning of a third photograph by Rita Castelnuovo showing a group of Israeli soldiers grieving over the loss of a colleague. I imagined the editor's cerebral gymnastics as to how to present a "balanced" view of the Gaza atrocity with a couple of photographs. Ah well...

As I said, the Week In Review section this week is a job well done. You can see it as a slideshow on the NYT's website.

Nikon Festival: "Today..."

I thought this short movie would be appropriate for Christmas Day. It's courtesy of the Nikon Festival. Just click the arrow.

Happy Holidays To TTP's Readers...

Oh, and my photography New Year's Resolution? It's to go wider, increase my use of prime lenses and to be more complex in composition (ie more layers, etc).

And to counterbalance excessive seasonal consumerism, here's an end-of-year bit of wisdom: No-name soft gear (bags, pouches, jackets, etc) available at Army Surplus stores are often as good/tough/reliable/useful as branded and much more expensive products. A $5 no-name canvas pouch or a $30 branded one? It's a no brainer.

I wish all the best to my blog's readers, its Google followers, my Twitter page followers, and many others.

The Travel Photographer blog will soon be three years old! Incredible!

Tewfic

Yuri Kozyrev: Yamal Peninsula

Photo © Yuri Kozyrev/NOOR-All Rights Reserved
Coinciding with the global climate talks in Copenhagen, Yuri Kozyrev (among the 9 photographers of NOOR photo agency) photographed climate stories with the purpose of documenting the consequences of global warning. Produced during the last two months, the project named Consequences is being launched during the United Nations Climate Summit, Monday 7 December through Friday 18 December 2009.

The Yamal Peninsula is one of the world's largest wildernesses where the indigenous Nenets people have migrated across for the past 1000 years. It is here that traditional large-scale nomadic reindeer husbandry is preserved. The Yamal Peninsula also holds Russia's biggest natural gas reserves. The Nenets have a shamanistic and animistic belief system which foments respect for the land and its resources.

MSNBC has featured Yuri Kozyrev's photographs as a photo essay titled Russia's Reindeer Herders.

Also check Consequences by NOOR.

Foundry Photojournalism Workshop Istanbul 2010

Eric Beecroft announced the third Foundry Photojournalism Workshop will be held in Istanbul, Turkey on June 20-26, 2010.

The initial roster of instructors, who are giving their time to teach photojournalism to emerging photographers are (at the time of writing) as follows:

Lynsey Addario
Kael Alford
Andrea Bruce
Guy Calaf
Michael Robinson-Chavez
Rena Effendi
Tewfic El-Sawy
David Guttenfelder
Ron Haviv
Eros Hoagland
John Moore
Jared Moossy
Stephanie Sinclair
Anastasia Taylor-Lind
Ami Vitale

Visit the new website to register early and secure a spot in the third annual Foundry Photojournalism Workshop!