Matjaž Krivic: Earth Temples

Photo © Matjaž Krivic-All Rights Reserved
Matjaž Krivic describes his whereabouts as traveling with his camera somewhere between the Sahara and the Himalayas...and having seen his portfolio of photographs, I believe him. He just returned from an overland road trip from Slovenia to Nepal via Senegal (Dakar to Katmandu), which took him 13 months of living and photographing out of a 4x4 Nissan Patrol.

For 20 years, he globe-trotted the world capturing the personality and grandeur of indigenous people and places, and found the time to be awarded many prizes, and recognized in various venues and exhibitions. He traveled in Yemen, Mali, Tibet, North and West Africa, Iran, Mongolia, China, Nepal and India.

I particularly liked his lovely Earth Temples portfolio, which consists of over 60 photographs of various temples, places of worship and still (or silent) places in India, Tibet, Morocco, Bolivia, Nepal and Kenya...to name but a few. These are so beautiful that I wish they were twice the size to appreciate them even better.

Maynard Switzer: Dogon Mask Dances

Photo © Maynard Switzer -All Rights Reserved
Maynard Switzer has recently returned from Mali, where he attended and photographed a Dogon mask dance. These dances are performed at several times during the year, and serve to celebrate the start of the rainy seasons to bring about abundant rainfall, at the end of the harvest seasons to ensure plentiful crops, and also as funerary rituals to commemorate the dead.

Photo © Maynard Switzer -All Rights Reserved
The dances involve dozens of dancers representing figures from the animal world, male and female powers, and the after-world, while the masks represent spirits, women, midwives, witchdoctors, snakes, antelopes and other various representations.

Maynard tells me that the masks are made by boys as part of their coming of age. No outsider is allowed to see the dancers get dressed & put on their masks. The older men are dressed in dark blue, and are retired former dancers who train the new dancers.

Photo © Maynard Switzer -All Rights Reserved
The Dogon are an ethnic group living in the central plateau region of Mali, south of the Niger bend near the city of Bandiagara in the Mopti region. They are best known for their mythology, their mask dances, wooden sculpture and their architecture.

Maynard Switzer was previously featured here on this blog.

Greg Du Toit: The Waiting Game

Photo © Greg du Toit- (Courtesy The Daily Mail) -All Rights Reserved
Here's an interesting story reported by The Daily Mail (a UK newspaper) which tells us that Greg du Toit, a wildlife photographer living in south Kenya's Great Rift Valley, spent 3 months submerged in a wild lions watering hole for three months, just to get what he deemed to be the perfect photograph of these lions drinking.

The photographer had tried to get the right photograph for a year, but failed to get "it", so he waded into the murky pool with his camera where he spent 270 hours and ended up contracting several tropical diseases, including the potentially deadly Bilharzia.

There are some inconsistencies in this story as the Daily Mail's article mentions that the photographer spent 3 months in the watering hole, and then mentions 270 hours. Obviously, the hours (or days) he spent in there were not consecutive, but notwithstanding, it's a testament to Greg's single mindedness. Why he didn't wear a wet suit to protect him from waterborne diseases is another question which is not addressed in the article.

Yes, photography is a waiting game. I think travel photography, in particular, requires infinite patience, certainly not to the extreme lengths this photographer seems to have gone to, but nevertheless persistence and tenacity are needed. "Parachuting" in a remote Indian village hoping to capture a bunch of wonderful images in an hour or two is -unless one is very lucky- an overly ambitious goal...a holy grail kind of thing. For that, one has to spend the time, establish the requisite connections and know how to engage people honestly, respectfully and with kindness.

Book: Charlotte Rush-Bailey: Soul Survivors

I've just received the book Soul Survivors from its author Charlotte Rush-Bailey, who was a participant in The Tribes of Rajasthan & Gujarat Photo~Expedition, and it's certainly a wonderful addition to anyone's travel book collection.

It's essentially a tribute to the people of the Sahel, and focuses on Niger which Charlotte visited in the fall of 2005, amidst a food crisis that had enveloped that nation. Despite the food shortages, Charlotte marvels at how she was welcomed with generous hospitality everywhere she went. The book is full of lovely photographs; many of which are portraits, processed in the photographer-author's signature style.

Published and available through Blurb, the link above provides a preview of some of the book's pages. My favorite photograph of the book is the 5th on the preview strip, which is of a camel caravan. Just a perfect composition.

Charlotte Rush-Bailey's website has more of her photography.

Jehad Nga: Turkana

Photo © Jehad Nga -All Rights Reserved
What a way to start the week!

I've described Jehad Nga as being a master of chiaroscuro and his new work Turkana just reaffirms and even compounds this well-deserved appellation. His new work is just beautiful and details of each photograph must be slowly absorbed. In Jehad's photography, I guess less is more...and his play of light against the colorful garments is just exquisite.

To view Turkana, log on to Jehad's website, and click on From Here On-In Galleries.

The gallery's overview starts with this:

"Forgotten by a government that hardly felt as their own, Kenya's Turkana tribe is withering in number as a drought devastates the Horn of Africa."

The Turkana are a Nilotic people of Kenya, numbering about 340,000, who live in the Turkana District in northwest Kenya, a dry and hot region bordering three countries, Uganda, Sudan and Ethiopia.

It's expected that an exibition of the Turkana photographs will soon be shown at the Bonni Benrubi gallery in New York City.

Jehad was born in Kansas, but moved to London, where he was raised. In his early 20s and living in Los Angeles, he discovered a book by photographer Natasha Merritt. The book convinced him that he could use his own digital compact during a backpacking trip to southeast Asia. By 2002 he was traveling through the Middle East, and by the following year, Jehad made his way to Baghdad photographing for the New York Times.

Over the recent years, Jehad covered Somalia, Kenya, Iraq, Liberia, Libya, Darfur, Ethiopia and Iran, providing stories for major publications such as The New York Times, The Los Angeles Times, Time, Fortune and Forbes magazines. He also won several honors, including American Photo magazine's Emerging Artists 2007 issue and for World Press Master Class 2008.

I featured Jehad Nga many times on TTP. You can catch all the posts here.

Book: Ronald Lake: Madagascar

I was very glad to receive Ronald Lake's beautifully designed book titled "Glimpses of Madagascar" as I knew next to nothing of this intriguing island. All I knew was that it's an island nation in the Indian Ocean off the southeastern coast of Africa, and there was an entertaining animated movie with the same name (I exaggerate, but you get the drift...it's just not a country in the news).

I also visited Ronald Lake's website, where one can sample some of the pages of his Madagascar book, and order it directly, as well as view his other galleries.

It's also called the Red Island, The Eighth Continent, Eden on Earth, and a World Out of Time, and is like no other place on earth. One of the world’s poorest nations, it is one of the planet’s richest stores of biodiversity, which was the main reason behind Ronald Lake's decision to join a trip to Madagascar with the Wildlife Conservation Society.

In Ronald's own words:

"Madagascar is one of the poorest countries on earth. It also is one of the richest homes of biodiversity on the planet. The juxtaposition of these two facts is what makes Madagascar so beautiful, so tragic, so compelling and so promising. But very few people in modern consumer societies are aware of Madagascar's unique story - few even know where it is.

I enjoyed shooting pictures in Madagascar because the place and the people were so special. It certainly got the creative juices flowing. But I felt that just taking pictures wasn't good enough. I had to give some meaningful expression to what I saw. Thus the book, which is meant to convey more than images. For me, this is the purpose of photography, or at least the kind of photography that I am interested in pursuing."

An investment adviser in Greenwich, Connecticut with photography as his passion, it's immediately obvious from this book that Ronald Lake fell in love with the island of Madagascar.

Condition Critical: Eastern Congo

Bahati's Story - Condition Critical from duckrabbit on Vimeo.

Benjamin Chesterton of the award-winning duckrabbit has done another jaw-dropping job with Condition Critical, a highly commendable and important project for Medecins Sans Frontieres.

As Ben says:

"I've finished four videos on the Congo subtitled into eight languages to run on a website where people can leave messages to be translated and put up in the camps and clinics in Eastern Congo. The strongest thing about this project is that all you hear is the voices of the Congolese affected by the violence."

Here's some background of the Eastern Congo's conflict. It's the world's deadliest conflict since the second world war and yet the majority of people have never heard of it. According to the IRC at least at least 5 million Congolese have died in more than a decade of conflict sparked off by the 1994 genocide in neighboring Rwanda. Most of the deaths are linked to a lack of medical facilities as the ability to access medical care in Eastern Congo has crumbled with the war. The four videos on the Condition Critical website give voice to the pain and trauma of those caught up in the conflict, bearing witness to their dignity and attempts to survive the conflict.

In Ben's own words:

"Told only in their own voices all the website asks you to do is send a message of support. At first that might sound a bit daft. I mean why send a message of support to people I know nothing of? Surely what they need is cash, right? Well first off if you watch the videos you can find out a little about their lives, that they're not that much different to you and me except that they've been caught up in an unforgiving conflict. Secondly messages of support do make a difference. I know this because last year I worked in camps in Kenya and the thing that people were most frightened of was being forgotten, the sense that no-one cared. That's what leads to depression and despair. Worse than that, when no-one cares people get away with murder, literally."

So the fact that MSF will take these messages and share them in the camps and clinics will make a difference. It will also give a huge morale boost to the MSF staff working in Eastern Congo.

People can do four great things:

1. Leave a message of solidarity on the map
2. Twitter about it and link to it on Facebook (for Twitter use #conditioncritical)
3. Embed one of the video's on their blogs.
4. Write something about the project"

It's worthwhile to reiterate what Ben realized from his time in the Kenya camps:

"...the thing that people were most frightened of was being forgotten, the sense that no-one cared. That's what leads to depression and despair. Worse than that, when no-one cares people get away with murder, literally."

So show you care.

NGM: Martin Schoeller: The Hadza

The National Geographic brings us The Hadza, a collection of photographs by Martin Schoeller. He is a German photographer who assisted Annie Leibovitz in New York in the early nineties. He continued on his own and worked for The New Yorker under contract since 1999 and also for Rolling Stone and GQ.

According to Wikipedia, the Hadza people, or Hadzabe'e, are an ethnic group in central Tanzania, living around Lake Eyasi in the central Rift Valley and in the neighboring Serengeti Plateau. The Hadza number just under 1000, and they are the last functioning hunter-gatherers in Africa.

The New York Times LENS blog also features Schoeller's work, which was based on an assignment for Travel and Leisure magazine. The Hadza were not re-enacting a lifestyle for tourists, but living in a way that had basically not changed for thousands of years.

Viewbook: Francesco Giusti: SAPE

Photo © Francesco Giusti/Courtesy Viewbook-All Rights Reserved
Francesco Giusti lives and works as a photographer in Rome, Italy. He recently won First Prize in the Viewbook Photostory competition for his documentary series, SAPE.

SAPE is the acronym for Société des Ambianceurs et des Personnes Élégantes, which loosely translated from the French means "the society of persons who are elegant and have an 'ambiance' about them"...in other words, dandies. Most of the SAPE members are found in The Republic of Congo.

I won't repeat what is already explained in the blurb accompanying Francesco's gallery, but in essence a member of the SAPE considers himself as an artist, and dresses up in his personal style with the appropriate accessories, for the sake of being unique and original. A real SAPE, or sapeur, is not only elegant but has to be a gentleman and a pacifist. They carry amusing and eccentric nicknames (one of them in the series is named Christian Dior), parade in the streets and congregate in bars.

My thanks to Kate Wilhem of Peripheral Vision who reminded me of Hector Mediavilla, another photographer whose work on the Sapeurs was published in Zone Zero magazine. I had forgotten that I had posted Hector's work here.

Tangentially, this post is also about Viewbook, an interesting and easy to use online portfolio service. It has three options for creating online portfolios and galleries, which can be tried free for 30 days.

I tried the cheapest version "Basic" which only costs $4 a month, and allows one to upload up to 250 images. I tested its Image Manager which works very well, and uploaded about 16 large (1000x667 pixels at 72dpi) images in no time at all. Most of my images are about 0.75 mb, but it seems the maximum file size is 10mb per image, and can be resized if necessary. The maximum length is 1024 pixels. Not bad.

I haven't yet tried the two other options: Standard and the Pro.

For an attractive, simple and quick website for photographers, I found this to be one of the better alternatives available. I was pleasantly surprised at how simple setting it up was. Here's my trial gallery The Dancers of Tamshing Goemba on Viewbook. It took me less than 5 minutes to put it all together. However, my photographs were already prepared and ready to upload.

You can compare that version to the original gallery of my website.

(I am not at all connected to Viewbook, and this should not to be construed as a commercial endorsement.)

Global Post: Finbarr O'Reilly: Senegal

GlobalPost brings us a feature by photographer Finbarr O'Reilly. The photographer came across performers of the Dseu Renaissance de Pikine theater group, and was smitten by the intense colors he saw when the female artists put their traditional headscarves and applied black makeup and markings worn by the Toucouleur people of West Africa.

The "Toucouleur" possibly originates from the French (slightly misspelled) meaning "all-colors", and are Muslims who live mostly in the Senegal River Valley in Northern Senegal and Southern Mauritania.

The theater group seeks to keep alive West Africa's superstitions, oral storytelling, and narrative skills of the griots.

Finbarr O’Reilly joined Reuters in 2001 as a freelance text correspondent in Kinshasa, Congo and spent two years covering Central Africa’s Great Lakes region from Kinshasa and from Kigali, Rwanda. He took up photography full-time in 2005 and covers West and Central Africa for Reuters, based in Dakar, Senegal. In 2006, he was awarded the World Press Photo of the Year.

Nacho Hernandez: Children of the Clouds

Nacho Hernandez is a Spanish photographer who takes assignments worldwide, and has easy access to the Southeast Asia and Asia-Pacific regions from his current base in Manila. Nacho graduated from the Washington School of Photography and also holds a MA in International Relations and Development from Georgetown University.

His interest is in international documentary, travel photography and photography with a humanitarian focus. As an example, he produced a long-term project on the Sahrawi people, and which was exhibited at the US Congress in Washington DC. It is this Children of The Clouds which I chose to highlight on TTP.

According to Wikipedia, Hassaniya Arabic speaking tribes, of Arab-Berber and pure Berber/Tuareg heritage, mainly living in Mauritania, Western Sahara southern Morocco, western Algeria, Mali and surrounding territories, form a large part of the population of countries in the area of the Western Sahara.

Western Saharan pro-independence groups have utilized the term Sahrawi to give a their movement a nationalist connotation. Morocco controls most of the territory as its Southern Provinces, but the legality of this is not internationally recognized, and is disputed militarily by the Polisario Front.

LENS blog: Dominic Nahr's Uneasy Congo

The New York Times' LENS blog brings us the work of photojournalist Dominic Nahr in a series of photographs titled Uneasy Congo. Though he is only 26 years old, Dominic’s photographs of Congo’s brutal conflict are being exhibited in Perpignan at Visa pour l’Image, one of the most important international photojournalism festival.

The article explains the reasons as to why Dominic's photographs were chosen for the venue, but what is the most poignant of his statments is this one as he recalls viewing the results of a massacre:

"At first, you feel like a scavenger because you’re hanging over these bodies, but you have to document it. This had to be remembered. Laws were broken. There had to be evidence and this had to be remembered."

While this is another example of "bearing witness" to the atrocities committed in Africa, there are others who bemoan the fact that not enough photography and coverage are dedicated to show Africa's success stories...perhaps these are also right.

For more photographs, Dominic Nahr's website is here.

Sexual Warfare: Congo

The Sydney Morning Herald has featured a superbly produced multimedia project titled Sexual Warfare: The Democratic Republic of Congo. The multimedia is produced by Kimberley Porteous
and Kate Geraghty.

From its website, we learn that sexual violence is a devastating weapon in the war-torn North Kivu province of the Democratic Republic of Congo. The Congolese army and rebel groups systematically use brutal gang rape against their enemies, causing crippling injuries and spreading HIV.

Aid groups estimate one in three women in North Kivu have been raped. Over 30 per cent of these have been infected with HIV.

All across this devastated region – in every village, every camp and almost every home – a man-made plague is stealing and destroying the lives of women. In a scale never seen before around the world.

(Via Duckrabbit Multimedia: an always interesting and brave blog, which I encourage you bookmark.)

Matt Powell: Humanitarian Photographer

Matt Powell is a documentary photographer and a multimedia producer ( his bio tells us that he's also a budding documentary filmmaker), as a well as a writer, who works for the Christian humanitarian relief agency Samaritan’s Purse. It's a job which takes Matt all over the developing world, and nourishes his passion for visual storytelling and his desire to improve the world.

Soon after his graduation, Matt undertook a 2.5 month trekking journey into some of the most remote terrain in South East Asia to perform an ethnographic survey of tribal minorities known to be living under severe religious and ethnic persecution. It was the adventure of his lifetime, and established his career as a humanitarian photographer.

His subsequent assignments took him to Indonesia, Cambodia, PNG, Viet Nam, India, Sri Lanka, Sudan, Uganda, to mention just a few.

I'm greatly impressed by Matt's commitment and talents, and feature his Portraits portfolio, however I also encourage you to explore his work beyond this gallery, and check the rest of his galleries and informative blog .

It's immensely refreshing to meet an altruistic photographer, and Matt Powell is it.

Toni Greaves: Samburu Rites

I know...readers are thinking "enough already with this Gnawa work you've been hammering us with for the past weeks"...so I listened, and what better way of proving that I listened than by featuring Toni Greaves on the page of The Travel Photographer?

Toni Greaves is a documentary, editorial and portrait photographer with a passion for storytelling. She has an extensive background in design, having worked for over a decade as an Art Director & Creative Director in both the USA and Europe. Toni was recently named one of the "30 Emerging Photographers to Watch" by PDN magazine, an impressive tribute to her deserving photographic work.

She was awarded a New York Times Scholarship for her photojournalism work, was a finalist at the New York Photo Awards, and was the recipient of a fellowship by the Johnson & Johnson Foundation, among many other national and international awards. Her clients include The New York Times, TIME Magazine, The FADER, Sports Illustrated, and The New Jersey Star Ledger.

Since this is a travel photography blog after all, I chose to showcase her Samburu Rites of Passage photo gallery, despite her lovely work on the nuns of the monastery of Our Lady of The Rosary in New Jersey.

The Samburu are an ethnic group in northern Kenya that are related to the Maasai. They are semi-nomadic pastoralists, who herd cattle, sheep, goats and camels. They are extremely dependent on their animals for survival, and their diet consists mostly of milk and sometimes blood from their cows.

Toni Greaves' website demonstrates the wide range of her photographic interests, which range from essays on pediatric cardiac surgeries to cheerleaders.

Candace Feit: West African Wrestling

Photo © Candace Feit -All Rights Reserved
Tyson and 50 Cent are the names of the biggest stars in West African wrestling, which according to photojournalist Candace Feit, has become a huge business for wrestlers and sponsors alike. Instead of wrestling to win a bag of rice or a goat, the current monetary prizes are now in excess of $300,000. For many young men in Senegal, it can drag them out of a crippling poverty.

Candace has been featured on many occasions on the pages of The Travel Photographer blog, and her photographs of West Africa appeared in the The New York Times, Le Monde, Le Figaro, The Chicago Tribune, The Washington Post, and Time magazine, among others. She was based in Dakar, Senegal and now is living in Delhi, India, from where she will most certainly equally produce wonderful photo reportages such as this one and the others which are found on her website.

Other posts on Candace can be found here.

posted "robotically" as I'm in Marrakech

Michael Kamber: Hard Lessons in Somalia

"It is also important to keep a low profile when you’re moving through dangerous areas where kidnapping risks are high. Try to find vehicles with tinted windows. Long sleeves, beards, hats and local dress all help. Don’t be embarrassed to wrap a scarf around your head or put on local garb. From a distance, this makes you less visible. It may save your life."-Michael Kamber (from LENS-New York Times)

Michael Kamber is a well-known photojournalist, and is currently working on a book on photojournalism and war photography. He was nominated three times for the Pulitzer prize. He has covered conflicts in Iraq, Afghanistan, Liberia, Cote D'Ivoire, Sudan, Somalia, Haiti, Israel, the Congo and various others.

He shares some of the hard lessons he learned while working in Somalia on The New York Times LENS blog.

posted from London en route to Morocco

Daylight Magazine: Jehad Nga

I just received Daylight Magazine's May newsletter, which features Jehad Nga's wonderful photo essay titled "My Shadow My Opponent" which deals with boxers and boxing clubs in Nigeria. It explores the scarcely-known boxing subculture of Nairobi's largest slum.

I'm sure many of you will agree with me that the title of the photo essay fits Jehad's trademark chiaroscuro photographs like a glove. It's excellent work by an extremely talented photojournalist/photographer, however it's a shame that there's very little ambient audio of the grunts, exertions, sound of glove on flesh, and other sounds normally associated with boxing (think Rocky Balboa!), nor do we hear the voices of the boxers.

Hallelujah! BBC Goes Big

© Micah Albert-All Rights Reserved
I always thought that the BBC website was created and administered by a tea-lady who's a dead ringer for Terry Thomas.

However, having been alerted by Benjamin Chesterton's post over at the excellent duckrabbit, I now realize there are stirrings of modernity, and someone may have finally found the nerve to tell the omnipotent tea-lady that size does matter after all. Some of the photographs on the BBC site are now displayed in a larger format and at a higher quality.

Micah Albert's photographs of Somali refugees arriving in Yemen is one of the first BBC photo essays to appear in the larger size. Not as large and not as many as those appearing on The Big Picture blog or the WSJ's Photo Journal, but a step in the right direction.

The BBC's picture editor Phil Coomes has just started a blog called Viewfinder, which deals with the world of photojournalism, photos in the news and BBC News' use of photographs. Perhaps he'll introduce some more large sized eye candy imagery to the BBC's website.